Domenico Ghirlandaio

Italian 1449-1494 Domenico Ghirlandaio Galleries
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Domenico Ghirlandaio Its image oil painting


Its image
Pintura Identificación::  58156
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Its image
the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602.
the_mk261_Florence,_the_Ukrainian_Fiji_art_museum,_in_1890_numbered_602.
   
   
     

Domenico Ghirlandaio An Old Man and His Grandson oil painting


An Old Man and His Grandson
Pintura Identificación::  59052
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An Old Man and His Grandson
An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris
An_Old_Man_and_His_Grandson__(ca._1490)_Tempera_on_wood,_62_x_46_cm._Louvre,_Paris
   
   
     

Domenico Ghirlandaio Portrait of a Young Woman oil painting


Portrait of a Young Woman
Pintura Identificación::  59053
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Portrait of a Young Woman
Portrait of a Young Woman
Portrait_of_a_Young_Woman
   
   
     

Domenico Ghirlandaio Supposed self portrait in Adoration of the Magi oil painting


Supposed self portrait in Adoration of the Magi
Pintura Identificación::  59054
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Supposed self portrait in Adoration of the Magi
Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence
Supposed_self-portrait_in_Adoration_of_the_Magi,_1488_(Ospedale_degli_Innocenti,_Florence
   
   
     

Domenico Ghirlandaio Study oil painting


Study
Pintura Identificación::  62402
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Study
220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable
220_x_170_mm_Galleria_degli_Uffizi,_Florence_The_picture_shows_a_study_to_the_fresco_of_the_Birth_of_Mary_executed_in_the_Cappella_Tornabuoni_of_the_Santa_Maria_Novella_in_Florence._The_only_figure_in_the_fresco_who_conveys_any_sense_of_movement_is_the_servant_pouring_water_into_a_brass_basin_for_the_child_to_bathe_in._Ghirlandaio_prepared_for_the_painting_by_drawing_this_detailed_individual_study._The_cloth_fluttering_behind_her_is_lower_in_the_fresco_than_here,_in_order_not_to_obstruct_our_view_of_Anne._The_sleeves_were_also_altered_at_her_elbows._The_cross-hatching_and_the_strong_contours_so_typical_of_Ghirlandaio's_style_of_drawing_are_clearly_recognizable
   
   
     

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