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Its image Pintura Identificación:: 58156
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Its image the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602. the_mk261_Florence,_the_Ukrainian_Fiji_art_museum,_in_1890_numbered_602.
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An Old Man and His Grandson Pintura Identificación:: 59052
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An Old Man and His Grandson An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris An_Old_Man_and_His_Grandson__(ca._1490)_Tempera_on_wood,_62_x_46_cm._Louvre,_Paris
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Portrait of a Young Woman Pintura Identificación:: 59053
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Portrait of a Young Woman Portrait of a Young Woman Portrait_of_a_Young_Woman
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Supposed self portrait in Adoration of the Magi Pintura Identificación:: 59054
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Supposed self portrait in Adoration of the Magi Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence Supposed_self-portrait_in_Adoration_of_the_Magi,_1488_(Ospedale_degli_Innocenti,_Florence
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Study Pintura Identificación:: 62402
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Study 220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable 220_x_170_mm_Galleria_degli_Uffizi,_Florence_The_picture_shows_a_study_to_the_fresco_of_the_Birth_of_Mary_executed_in_the_Cappella_Tornabuoni_of_the_Santa_Maria_Novella_in_Florence._The_only_figure_in_the_fresco_who_conveys_any_sense_of_movement_is_the_servant_pouring_water_into_a_brass_basin_for_the_child_to_bathe_in._Ghirlandaio_prepared_for_the_painting_by_drawing_this_detailed_individual_study._The_cloth_fluttering_behind_her_is_lower_in_the_fresco_than_here,_in_order_not_to_obstruct_our_view_of_Anne._The_sleeves_were_also_altered_at_her_elbows._The_cross-hatching_and_the_strong_contours_so_typical_of_Ghirlandaio's_style_of_drawing_are_clearly_recognizable
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| Artista Previo Próximo Artista
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Domenico Ghirlandaio
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Italian
1449-1494
Domenico Ghirlandaio Galleries |
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